Catálogo de la revista Procedimentum de la segunda convocatoria de arte postal. 2018

El 14 de enero de 2018 se ha publicado el catálogo de la Segunda Convocatoria de arte postal de la revista-fanzine Procedimentum, dirigida por Pedro Pablo Gallardo, en esta ocasión dedicada a la pieza de vídeo-arte W_Spaces of Otherness de Roland Quelven con música de Juan Antonio Nieto, han participado artistas plásticos, sonoros y vídeo-artistas. Las piezas sonoras y de vídeo se han incluido en una publicación titulada Procedimentum. Volúmen I. Trabajos disponibles en libre descarga. Además la revista incluye un amplio dossier con los trabajos de Juan Antonio Nieto y Roland Quelven.

On January 14, 2018, the catalog of the Second Call for Postal Art of the fanzine-magazine Procedimentum, directed by Pedro Pablo Gallardo, was published, this time dedicated to the piece of video-art W_Spaces of Otherness by Roland Quelven with music of Juan Antonio Nieto, plastic artists, sound artists and video-artists have participated. The sound and video pieces have been included in a publication called Procedimentum. Volume I. Works available in free download. In addition, the magazine includes a wide dossier with the works of Juan Antonio Nieto and Roland Quelven.

W_Spaces Of Otherness from Roland Quelven on Vimeo.

/ Espaces hétérotopiques / Contre Espaces / Ailleurs /

Other spaces between utopian and real landscapes.

"We do not live in a white and neutral space ; we do not live, we do not die and we do not love inside the rectangle of a piece of paper. We live, we die and we love in a space which is divided up, cut up,  coloured in, which has its light and dark zones, its different levels, its steps, its hollows, its bumps, its hard areas and other friable, penetrable and porous areas. There are the transit zones, the streets, the trains and the subways; there are the open zones of the temporary stop, the cafés, the cinemas, the beaches and the hotels, and then there are the closed zones of rest and home. Yet, there are other places which are absolutely different among all these places which differ from one another : places which are opposed to all the others and which are meant to erase them in a way, to neutralize and purify them. These are a kind of counter-space.  Children know these counter-spaces and these local utopias very well. Of course they are the bottom of the garden; of course, the attic; or better still the Indian tent set up in the middle of the attic; or again the parents’ double bed on a Thursday afternoon. It’s on that double bed that they discover the oceans because they can swim amidst the blankets; that bed is also the sky because they can jump on the springs; it is the forest for them to hide in; it is the night for them to become a ghost between the sheets; finally it is pleasure for they will be punished when their parents get back home. (...) So be it ! I dream of a science – I mean it, a science – which would study these different  spaces, these other places, these mythical and real questionings of the space we live in. This science would not study utopias for this term has to be kept for that which does not really exist, but heterotopias, these other absolute spaces. The science in question would therefore logically be called and is already called “heterotopology”. "

Michel Foucault Translated from the French by Isabelle Maubian.

"Bachelard's monumental work and the descriptions of phenomenologists have taught us that we do not live in a homogeneous and empty space, but on the contrary in a space thoroughly imbued with quantities and perhaps thoroughly fantasmatic as well. The space of our primary perception, the space of our dreams and that of our passions hold within themselves qualities that seem intrinsic: there is a light, ethereal, transparent space, or again a dark, rough, encumbered space; a space from above, of summits, or on the contrary a space from below of mud; or again a space that can be flowing like sparkling water, or space that is fixed, congealed, like stone or crystal." Translated from the French by Jay Miskowiec.

Sound / Juan Antonio Nieto

Footage / Estanca 17" - Isabel Pérez del Pulgar & Roland Quelven

Video / Roland Quelven

http://www.revista-fanzineprocedimentum.com/contenido/catalogos%20arte%20postal/catalogo%20arte%20postal%202.dwt

http://www.revista-fanzineprocedimentum.com/pdf/procedimentum%20numero%207/anexo.%20catalogo%20de%20arte%20postal%202018.pdf

Han participado numerosos artistas de diversas nacionalidades:

Artistas Plásticos.
Alemania: Walter Bachmann. Argentina: Raquel Gociol. Brasil: Almandrade - (Antonio Luiz M. Andrade) / Tamara Chagas. España: María José Bellido Jiménez / Manuel Camacho Polonio / Daniel de Culla / Ferran Destemple / Pablo Gallardo Bellido / Pedro Pablo Gallardo Montero / Sofía Isabel Gutiérrez Márquez / Francisco Jiménez Baños / Miguel Jiménez. El Taller de Zenon / Pablo Portero Sánchez-Crespo / Javier Seco / Almudena Villar Calvo (Latimeria Acúfenos). Grecia: Demetrios Coutarelli. Italia: Ruggero Maggi / Daniele Virgilio. Serbia: Predrag Kovacic.

Archivos Sonoros.
España: Francisco Fernández aka microPlex / Javier G. Entonado a.k.a. Arín Dodó  / Pepe Gálvez / Pedro Pablo Gallardo Montero / José Guillén / Juan Ramón Martínez. JARRTUL / Juan Antonio Miñana Osca / Antonio Murga / Javier Piñango / Josep Maria Soler Solá. STAHLFABRIK. Francia: Zumaia. Portugal: Rogério Paulo da Silva.
Videoarte.
España: Antonio Algaba ART / Pepo Galán / Saúl Wes. Francia: Zumaia. Portugal: Rogério Paulo da Silva.